Jazz and Pop Critic
The News Review:
- Jazz and Pop Critic
- Susanna Lindeborg
- Remembering legendary Danny Barker
- Winner of contest to play with jazz great
- Mark Rapp / Heather Greene at Le Poisson Rouge
- Harvey Pekar Talks “Leave Me Alone!” pera
Jazz and Pop Critic
New York Times United States
I’ll try to hit some parts of it but I probably won’t answer it to your satisfaction. In the last 60 years people almost completely stopped dancing to jazz and far fewer people grew up with pianos in the house. I think that has a lot to do with why jazz is no longer the popular vernacular art it used to be. When you dance to music (in all ways — partner dancing stepping headbanging — just reacting to music with your body) or when you play it then you own it. A lot of people born since 1960 don’t feel that they own jazz. Absolutely the media plays a role in why the average person doesn’t know who Cedar Walton is. But I think the mainstream media — obviously we’re not talking about jazz magazines like Downbeat which has Benny Golson on the cover this month (a good example of the kind of artist you’re talking about) — doesn’t by definition deal with the kind of art that post-bop mainstream jazz has become which is an art of tradition and very slow refinements.
Susanna Lindeborg
All About Jazz PA
What you first think of together with Susanna Lindeborg is her virtuous playon the piano mixed with electronic instruments which has been known mostof all through the group Mwendo Dawa which she is the leader of togetherwith saxophone player ve Johansson. Mwendo Dawa has been succesfullytouring in 20 countries in Europe North and South America performing atfestivals like Montreux Northsea and Montreal. The last few years she hasbeen regularly visiting USA and Canada with Mwendo Dawa. Susanna alsowrites a lot of the repertoire for the group.
Remembering legendary Danny Barker
Louisiana Weekly LA
The much-loved guitarist banjoist vocalist author composer storyteller and self-proclaimed raconteur who passed away on March 13 1994 was always young at heart. An extremely charismatic man with a sly wit he attracted folks of all ages from youngsters to the elderly to his realm and thus to jazz music.
Winner of contest to play with jazz great
Ventura County Star CA
“We have an education outreach program that brings music into local schools provides master classes and produces a rising stars concert” Heitmann said. “The music competition is another way of reaching out to local music students. ”During last year’s competition six students vied for the chance to play on stage with Latin jazz legend Poncho Sanchez. “The entire jazz music program from the winner’s high school was invited as our guest to attend the concert and there were about 50 other students from xnard High in attendance” Heitmann said. “We will have more entries this year as we already have eight and have extended the deadline to Jan. ”About D’RiveraBorn in Cuba D’Rivera was a musical child prodigy who went on to create various original and groundbreaking musical ensembles.
Mark Rapp / Heather Greene at Le Poisson Rouge
All About Jazz PA
Under the tutelage of Ellis Marsalis Rapp earned a Masters in Jazz at the University of New rleans. He has performed with Branford Marsalis Wess Anderson and Walter Blanding Jr among many others and has toured with rock band Hootie & The Blowfish. His featured performances at the JVC 2008 Newport Jazz Festival ended with a standing ovation. In addition to Newport he has performed at the WC Handy Festival Blue Note (NYC) Dizzys Coca-Cola room and as well as other top clubs and festivals.
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Harvey Pekar Talks “Leave Me Alone!” pera
Comic Book Resources Ca
But as Plonsey put it don?t expect Wynton Marsalis. ?Really the connection to jazz is on a deeper level: it is jazz in that it’s part of the looser less formal side of the American experimentalist tradition? Plonsey told CBR explaining his musical part of the show. ?It’s jazz because if Sun Ra wasn’t jazz on every one of his albums then nothing is. It’s music that comes from being open to the unexpected and relying upon the creative input of its performers. It’s jazz because if there’s no one who questions that a particular bit of music is jazz then that music isn’t jazz and certainly there’s very little of my music that isn’t questionable. And also: as a saxophonist I am exclusively influenced by jazz musicians: from Ben Webster Charlie Parker up through Coltrane rnette Roscoe Mitchell Braxton. Call it a jazz opera.