Jazz Listings

23rd November

The News Review:

- Jazz Listings
- More than just a streetdance competition
- Jazz and all that
- Friday ‘” November 23 2007
- Music Review | Rebecca Parris
- Sufi soundscapes and rhythms explored in progressive jazz

Jazz Listings
New York Times – Nov 23, 2007
org; cover $30 with a minimum of $10 at tables $5 at the bar. (Chinen)ALEXIS CUADRAD AND TRI IB?IC (Thursday) The bassist Alexis Cuadrado leads an ensemble that validates the notion of jazz with a Spanish tinge: its personnel includes the guitarist Brad Shepik and the accordionist Victor Prieto. Bar Next Door 129 Macdougal Street West Village (212) 529-5945. com; cover $8 with a one-drink minimum… Rose Hall Jazz at Lincoln Center 60th Street and Broadway (212) 258-9595 jalc. org; cover $20 with a minimum of $10 at tables $5 at the bar. (Chinen)TAIN AND THE EBNIX (Friday and Saturday) Jeff (Tain) Watts one of the most dazzling drummers in jazz has a gutsy new album called “Folk’s Songs” (Dark Key Music) with Christian McBride on bass David Kikowski on piano and Marcus Strickland on saxophones. The same group plays here with John Benitez filling in for Mr.

More than just a streetdance competition
Manila Times – Nov 23, 2007
Scholastica College Manila’s Ma. Chryssanta Villasenor loves house and jazz music but not with as much passion as she does for dancing. When it comes to fashion she prefers tank tops skinny jeans skirts and shorts. Besides dancing University of Asia and the Pacific’s Anjie Gogna is into wall climbing and arts and crafts. She loves Beyonc?Alicia Keys and Mary J.

Jazz and all that
Daily News & Analysis – Nov 23, 2007
As a child in school I remember going to Bandstand to listen to the Navy Band play popular tunes on weekends. The musicians were all smartly turned out in their white starched uniforms. Managed by a dedicated team of jazz music lovers the Jazz Utsav has overcome all odds of poor funding and no sponsors to keep its flag flying high with some great concerts over the years. Unfortunately we in India only look for recognised names. But Jazz Utsav has consistently featured GREAT JAZZ and not JAZZ GREATS. Artists who are talented and really well-known in their own countries have been performers at our festivals. Home | Lifestyle 1 | 2 NEXT PAGE SINGLE PAGE 34 Latest in Lifestyle: Now mums-to-be can share their babies’ ‘kicks’ on Facebook! Impress your date read Mandela Shakespeare! E-cards ‘gaining popularity’ over traditional Christmas cards Younger sisters engage in sex earlier than first-born siblings Popular game Scrabble turns 60.

Friday ‘” November 23 2007
NEWS.com.au – Nov 23, 2007
9 Essentially Jazz. Midnight Music Throughout The Night. 1 – 1am zone.

Music Review | Rebecca Parris
New York Times – Nov 23, 2007
Her voice a rich contralto with a baritone resonance is so commanding that when a song’s attitude is combative she can scare you. But when the mood is playful she can also enfold you in a musical bear hug. That rawness combined with sophisticated jazz technique that embraces some rough scat improvisation and the support of an excellent pianist (Brad Hatfield) makes for a style that lends much of what she sings a cosmic dimension. In the first of her two sets on Wednesday evening sadness outweighed joy as Ms… Her voice a rich contralto with a baritone resonance is so commanding that when a song’s attitude is combative she can scare you. But when the mood is playful she can also enfold you in a musical bear hug. That rawness combined with sophisticated jazz technique that embraces some rough scat improvisation and the support of an excellent pianist (Brad Hatfield) makes for a style that lends much of what she sings a cosmic dimension. In the first of her two sets on Wednesday evening sadness outweighed joy as Ms. Parris and her trio (Dean Johnson on bass and Matt Gordy on drums in addition with to Mr. Hatfield) eviscerated three classic torch songs.

Sufi soundscapes and rhythms explored in progressive jazz
Tonight – Nov 23, 2007
It makes for a fascinating mix with Youssef’s chant-like singing adding a spiritual and African quality to the music. The individual numbers start of very rhythmically almost gently and build up to a crescendo which is achieved both in rhythm and sound becoming almost hypnotic in its repetitiveness while pursuing an underlying melody. The music is quite unique electronically driven and in some instances almost overwhelming. Responsible for these explosive sounds are the most astonishing musicians from Youssef whose oud is in constant conversation with Aarset’s guitar while Erlien keeps the penetrating rhythm on track. It’s not often a bass guitarist is given a solo but that’s the genius of this outfit. They make their own rules and come up with music that wraps itself around your body in a most unusual fashion. What you make of it is up to every individual.

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