Jazz Music News

The News Review:

- Music Review | Michael Brecker Memorial
- For jazz pianist Fred Hersch every day brings a new sound.
- with Christina Aguilera singer-songwriter
- Jazz beats holiday
- ‘Blues poet’ shares his unique style in a musical literary…
- Eleni Mandell bridges jazz country pop

Music Review | Michael Brecker Memorial
New York Times – Feb 22, 2007
During his illness he enlisted family members and friends in sending out a call for bone-marrow donors not just for himself that resulted in tens of thousands of donor registrations. His friends in jazz and pop music all implied that this wasn’t just an isolated case of conscientiousness. Skip to next paragraph.

For jazz pianist Fred Hersch every day brings a new sound.
Free with registration – Columbia Daily Tribune – AccessMyLibrary.com – Feb 22, 2007
“That’s one of the best things about what I do” said Hersch 51. “Every week is different; everything has a different profile. ” Hersch is certainly known for his emotive and rhythmic piano style in the jazz world but he grew up improvising on classical pieces experimented with other instruments including the violin and listened to Motown and pop rock in his teens. CPYRIGHT 2007 Columbia Daily Tribune.

with Christina Aguilera singer-songwriter
Colorado Springs Independent – Feb 22, 2007
How do you look at your evolution? CA: I came out during the huge sort of pop explosion and that was kind of what I had to do to earn some credit and some respect for myself. A few million records sold later I was able to do what I wanted to do with Stripped which was kind of my own interpretation of my “coming of age” record. Then while I was on tour with that Stripped album I started really diving deeper into this place of inspiration from myself where blues soul and jazz music was always an inspiration for me. Indy: The new CD Back to Basics is creative in how it combines musical styles rooted in jazz and blues and modern rhythmic elements. Why were you drawn to the vintage music we hear on the album? CA: There’s a lot of sadness in old music and in blues. I think that I naturally just gravitated towards music that I could really feel on a deep level and that meant sadness. Indy: You’re on the Back to Basics tour but the show is actually pretty elaborate with choreography costume changes and set changes.

Jazz beats holiday
中åæ¥æ¥ – 中åæ¥æ¥ – Feb 22, 2007
“During rehearsals we establish that framework. Experiences musical tastes trainings and practices assure that we don’t go outside of the frame. ” Ford said jazz had always been part of his upbringing as one family member Narcisse Gabriel was actively involved in the creation of the music genre way back in 1875. “If you are a jazz musician in New rleans you are king” said Ford who follows in the footsteps of such legendary trumpeters as Louis Armstrong and Al Hirt. Ford really is a king on the stage taking control of both his trumpet and the audiences’ ears. He uses various tricks in his playing technique to get different sounds even using the base of a toilet plunger to create a muted effect. “Playing trumpet is a lot of fun and it fits jazz perfectly since this is fun music.

‘Blues poet’ shares his unique style in a musical literary…
Colorado Springs Independent – Feb 22, 2007
” Moffeit has worked with Todd Moore for more than 20 years developing what they call “the outlaw movement. ” utlaw poets write outlaw personas such as Moffeit’s Billy the Kid into lengthy poems to represent people who promote their individuality and go their own way. By incorporating the energy of blues and jazz music a form of revitalized poetry emerges. Tony Moffeit with guitarist Rick Terlep as part of the Visiting Writers Series Gates Common Room CC’s Palmer Hall 1025 N.

Eleni Mandell bridges jazz country pop
Toronto Star – Feb 22, 2007
Joined by pianist Michael Cabe and bass Mark Lau they dip into wide repertoire ranging from contemporary pop (Fiona Apple Feist etc. ) to jazz chestnuts to cabaret to gloomy poet Leonard Cohen whose "Famous Blue Raincoat" inspired the disc title and the foursome to make moving music. Jonatha Brooke’s "Because I Told You So" is a great starter too. Amy has risen fast through tough singing ranks down south and her freshly appealing voice is a big reason allied to sympathetic support. The tasteful sounds suggest both youth and wisdom a fairly miraculous tandem but ironically it’s the jazz songs that succeed least. GCCLASSICALTwo new string-quartet albums show off the contrasts between the brashness of youth and the mellowing of experience.